Note to the son 3:

He couldn’t look me in the eye. I couldn’t hold this gaze much longer either, the tears were slowly welling and I didn’t want him to see me cry: I didn’t want him to think me weak.

[What is weakness but strength hidden,
what are damned tears and a stern face
if not markers of fear victorious
flags at the feet of mountains
and courage lost…
and courage lost.]

He only ever cried once when I was around. That was a while ago, nearly a decade. Time has made me unsure of the honesty in the droplets he slowly wiped with his handkerchief, folded into a perfect square.

[These ‘spots of time’ like brushstrokes loose their paint the further they stretch,
colour rages against the canvas, the canvas wins – unless the painter dabs once more.
But some streaks are seared, from the furnace to the mind they are etched
and like the wounds they are, remembered they are ever sore.
And scarred ….
And scarred…
And maybe sacred.]

Shame had brought us here. The same that made me quiver when I thought of how I might end up opposite you. Just as he does opposite me. Afraid to become a composite I had lived up to my name – his name. IF we end up here I hope you’d not hide as I did.

And thus we stood in silence. The words like a torrent had flown out and filtered downstream. Wetting the hard stones on their way to the plains. Forgotten until our descent.

[… and like wounds they were, remembered ever sore.
and ever sacred…
never sacred…
always scared like courage lost…
and no more…
no more.]

“Yet to those who believed”… Help my unbelief.

© Denis Adide 2013

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The End

“We don’t do any other sizes but the standard one.”

This the response I recieved from the man behind the counter at the pret i’m currently seated in. I had asked for a mega sized hazelnut both pointing to the amount of time I was going to spend in the cafe writing this article, but also a reflection of the sigh I needed after my ordeal at the apple store.

The winter of 2008 was one of fresh self discovery, I had just spent a good year out of university and was at the begining of the course in creative writing that I had enroled on. My first two years of University were spent trying to study Aerospace engineering, a dream that was not mine though carried as though it was. ‘Who would care about English as a subject when the whole world spoke it?’. This the question that tethered me to the mast while the sirens (Sassoon, Wordsworth, Plath, Coleridge, Armitage, amongst many others) called out to me with the sweet melody of prose: where words and their signifiers danced effortlessly with philosophy and sentience. I had made the break, unhooked the tether and embarked on the journey that ultimately finds me here.

Convinced that I needed it for the study, and happy with the new found sense of self, I walked into an apple store in search of a character defining machine. I didn’t care so much for reasoning, all I wanted was something that was mine for no other reason than I wanted it. That was when I saw her. Her black skin, like my own, in the vast sea of white, stood out against the backdrop of light wood, glass and whitewash walls. She was crisp, open, and calling. I was thirsty for what she oozed and was almost mystically drawn to the potential of what we could achieve once twined. I chose her, paid for her (think what you will of me, she was mine for the taking and needed liberation). Pleased with my purchase, I carried the white bag – it’s emblem (the bitten apple) speaking volumes about the sense of internal indignation mixed with excitement that coursed with the adrenaline through my capillaries.

These five odd years since then have passed quickly. Countless lecture notes, short films, articles, and a dissertation have been mused and written in her presence. I had to forgive my little sister for breaking her screen (which proved very expensive to replace) and recently my wife for liberating one of her keys. Slowly, and almost inevitably, she grew old and weary. Her contemporaries died and were replaced by new models but she pressed on: I persevered with her (loyal). Even when the thinner younger version was made available (ipad2), I still did the bulk of my work with her.

So it was with a deep sadness that I brought her in to the store for a final repair and received the words ”won’t be worth fixin’ mate” from the ‘genius behind the bar’ (there is plenty I could say about the ill treatment I recieved in the apple store but that would be undignifying for the moment). Mourning and indignant, I wrapped her in the bag they gave me, unwilling to let her be seen in their store, held her close and gently carried her to the car – where she rests till we get back home.

….

How existential can one get about a computer dying?

….

I may be the only one who has particular points to which they can pin the beginning of a positive change in their lives. What I contemplate now as I have the last sips of what is a cold late (thanks to this long post) is the death of a symbol. My Macbook was, and represented, the break from homogeny. It presents (presented – sad times) the moment I took stock of the uniqueness of my fingerprint, the moment I realised I had a voice to explore and discover, the moment I became Adide (in all it’s complexities known or unknown). Her slow death, which has began, represents an end: the end of my physical tether to that pinpoint (it evaporates into a memory – unreliable as that is).

As I type this on my iPad, she sits in a cold boot. I sit in a warm cafe. A catalyst to my becoming shed as in the stages of rocket launch. It is a sad moment that is coupled to a wellspring of hope.

I leave you now so that I may grieve. Hopefully to return happier.

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After the silence

“… An awful lot of coming and going and swooping round of Christmas presents and the young rushing down to the shops for last minute things; at the moment there are quite a number of boxes of sweets, etc, here… That’s all very well here, but who are we bombing this Christmas Eve, Christmas Eve, who are we bombing on Christmas night, when the snow lies thick on the ground oh? This bloody silly war”.

Naomi Mitchinson

 

Worth a thought no?

Does it make sense?

… But you are an artist, you shouldn’t have to explain your work.

I might be totally alone in this, this feeling that my work – me really – wont be understood or appreciated. This inner feeling of lower worth stifled my creative juices for many days. I found myself frustrated by my inability to share what I created so much that I stopped creating altogether. It was when I went to see my younger brother about his helping me with a few projects that he uttered the words I here quote. The came like a sledge hammer through the wall my ego had constructed around itself. Pondering his words I realised that it wasn’t a fear of not being understood and thus appreciated but rather the terror of actually being an open book, cast aside on the empty seat in a packed train carriage. It is almost paralysing.

does it make sense?

The fear rested at the route of this question – one I always ask whenever I speak to people. I’ll try and stop.

do something radically different

A suggestion from a wiser man. Which I’m here trying.

A post a day, come rain or shine.

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A thought on a Psalm

Vindicate me, O LORD for I have led a blameless life,
I have trusted in the Lord without wavering.
Test me, O LORD, and try me, examine my heart and mind:
For your love is ever before me, and I walk continually in your truth.
I do not sit with deceitful men, nor do I consort with hypocrites;
I abhor the assembly of evildoers and refuse to sit with the wicked.
I wash my hands in innocence, and go about your Altar, O LORD,
Proclaiming aloud your praise and telling of all your wonderful deeds.
I love the house where you live, O LORD, the place where your glory dwells.

Psalm 26:1-8

Denis 26:8 [between 9 &10 pm]

Will you vindicate me? I have not led a blameless life,
constantly I doubt your hand and presence in my life.
My faith wavers like a flag: steadfast in the wind
and baren in the still. I forget you till I need.
My inner heart does love you, but my hands resist;
opting rather to sing in dishonesty.
Though I avoid deceitful men, my tongue is just as adept
in my solitude I find a hypocrite.
I long to do great evils and admire the seats among the wicked.
My hands still stained, and the stench of dishonour upon me,
I dare to approach your Altar. Not in penitence,
but masking my guilt from my companions.
For fear of shame I bite my tongue, hiding praise for you
beneath my pride: sourced from the gifts you give me –
I, too quickly, forget your wonderful deeds.
If you don’t, with my guilt before me, who will?

2012.

Poetry 034: The seat

A poem about a blind poet

Seated, he heard the foreign sounds
Of passing cars, of children, of hounds,
Of planes sailing through the clouds
Of silent moments, and of crowds.
The wind through the leaves whistled
The bamboo heaved along with the thistles
Distant worlds in torrents neared
But window blinds blocked out the mounds

Seated, he thought to find the nouns
For subtle smiles, for tickles, for frowns
For faces floating from the downs,
through greens, through forests, and through towns.
Deep within old cinders glistened
He strained his heart so it would listen
And the world without in torrents neared
But window blinds blocked out the mounds

© Denis Adide 2011

Poetry 033: Live!

“Let us make man in our own image
and in our likeness form him.”

Perfected yet dead; still he lay
void, recent from the deep.
No thoughts emerged nor receded
None pleaded for victory, none defeated,
And none rebelled: He was balanced,
inanimate, formed but still,
alive but perfectly dead.

Then breath, hovering over the deep;
the same that churned him from the mound,
approached from steep heaven
and un-barrened sea to seep
Awakening earth from death to sleep.

Inhaling, he embraced life – the gift;
drifting into the breath that once crept
into the crypt – fleshy heart at the mercy
of fleshed earth – made first animate.

Before him he saw his naked arms,
with naked eyes saw naked feet,
felt naked air be drafted in
and blown on naked skin.
Untamed wind within,
unchained wind without,
both whispering “Live!”

© Denis Adide 2012

 

Poetry 032: Happy Father’s day

Your absence –
felt more than empty clouds,
or late rains after hot days,
or delayed snow in the cold,
dark winter months,
or breath withheld
by clasping hands,
the dry well,
a moonless night,
shadowless willow,
no pulse on a flat line –
is killing me.

My heart –
like new shoots,
empty young beaks,
and soft small fingers –
reaches out,
calling
weeping
….
immersed in the hope
that wherever you are
on this, our day,
you’re happy.

© Denis Adide 2012

 

 

and to all who received him, all who believed. He gave the right to be called the sons of God

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