At times she sits
Endlessly calling
And quietly staring
But never moves
At times I glimpse her
Endless curves
And quietly stare
But never move
Forever charmed
Given to her music
© Denis Adide 2012
Poetry 034: The seat
A poem about a blind poet
Seated, he heard the foreign sounds
Of passing cars, of children, of hounds,
Of planes sailing through the clouds
Of silent moments, and of crowds.
The wind through the leaves whistled
The bamboo heaved along with the thistles
Distant worlds in torrents neared
But window blinds blocked out the mounds
Seated, he thought to find the nouns
For subtle smiles, for tickles, for frowns
For faces floating from the downs,
through greens, through forests, and through towns.
Deep within old cinders glistened
He strained his heart so it would listen
And the world without in torrents neared
But window blinds blocked out the mounds
© Denis Adide 2011
Poetry 033: Live!
“Let us make man in our own image
and in our likeness form him.”
Perfected yet dead; still he lay
void, recent from the deep.
No thoughts emerged nor receded
None pleaded for victory, none defeated,
And none rebelled: He was balanced,
inanimate, formed but still,
alive but perfectly dead.
Then breath, hovering over the deep;
the same that churned him from the mound,
approached from steep heaven
and un-barrened sea to seep
Awakening earth from death to sleep.
Inhaling, he embraced life – the gift;
drifting into the breath that once crept
into the crypt – fleshy heart at the mercy
of fleshed earth – made first animate.
Before him he saw his naked arms,
with naked eyes saw naked feet,
felt naked air be drafted in
and blown on naked skin.
Untamed wind within,
unchained wind without,
both whispering “Live!”
© Denis Adide 2012
Poetry 032: Happy Father’s day
Your absence –
felt more than empty clouds,
or late rains after hot days,
or delayed snow in the cold,
dark winter months,
or breath withheld
by clasping hands,
the dry well,
a moonless night,
shadowless willow,
no pulse on a flat line –
is killing me.
My heart –
like new shoots,
empty young beaks,
and soft small fingers –
reaches out,
calling
weeping
….
immersed in the hope
that wherever you are
on this, our day,
you’re happy.
© Denis Adide 2012
and to all who received him, all who believed. He gave the right to be called the sons of God
Poetry 031: Recompense
How am I to face the eyes of pity
that will surround and follow me
the rest of the days before they all
begin to forget, Knowing that I,
for the love – yours – sowed within,
am reaping eternal – internal – grief?
I can’t unless you give it all back.
I had enough love for four lifetimes
and more, all you to do was ask;
all you had to do was talk, take,
walk, live… give – a little.
Set my heart alight – immolate –
this rebellion must succeed.
Failure ensures my mind recedes,
past the faith I held, as the torch of old
that with coloured rings made a whole
of the hemispheres. Once to love,
and to hold, but lo! and behold the bold
did to frailty fall.
Forsaking the rollings stones, they became
immersed in moss. covered in the green
they gave way to the mud that slowly
inched over inches to make six feet;
and ashes – once oaks – returned to dust:
the crowds, like the vicar, slowly left
pinching more earth and spraying them
over the flowers – like the memories doomed
to rot and die – that adorned the lonely casket.
The groom, escorted by all into the sepulchre,
now slept. His weeping stilled by the thick
air, lightly lit, hovering between the stained panes
that crowned the walls. Prayers unheard,
like insence, floating hazily; kept in by
the sooty roof.
When they bury the dead, everyone leaves
except the dead. They stay, singing to the stars,
unrequited songs of love, of hope, of floating dreams
in tins unsealed, of loss encountered in daring
for victory, of death, of end without end,
of conflicted beginnings, of afflicted unamended –
untamed – …
Their affectations slowly, like their flesh, disappear:
Unheard once covered, unseen once left.
I can’t unless you give it all back.
What hurts is the hand that held the blade
and not the merciful blade itself. For edges,
sharp or blunt, have no master, no loyalty,
nor judgement. They serve hearts, and hands,
and feet, and thoughts grown to become deeds,
and deeds done in attempts to undo others:
be they dreams once seeded, now rejected
as shoots – unplucked but doomed to die.
uprooted into insignificance, like a drop of rain
falling from the clouds onto the surface of the sea,
drifting. One among many drops; no longer a drop.
At once sea, no mercy but what is given me,
no power nor self. Shelved until the improbable:
the currents drift me back up into the realms
of elevating rays. For now though, and maybe
forever, the abyss awaits, and hell.
And I can’t unless you give it all back:
all of it, in it’s separate pieces and moments;
spots that form the person that, within your
supposed love, I grew to become: grew
away from being.
© Denis Adide 2012
‘Stone Altars’ (Part 1)
My beautiful wife to be had a dress fitting on a day that was inconvenient for her bridesmaids (our journey to getting married was littered with moments like these where all we had was each other and the love we shared to call on, and fight for). I accompanied her to Chichester where the dress shop was but owing to the role I had in her life – bridegroom – the forcefield around the shop wouldn’t let me near. I decided to spend the hour or so in Chichester Cathedral speaking to the only man I was certain – at the time – understood what I was going through.
If you’ve never been to Chichester Cathedral, I suggest you take the trip. In fact, I recommend a trip to any such Cathedral. The collision of art, religion, culture, power, wealth, and politics is both fascinating and awe inspiring. This however, wasn’t my reason for going. It was the closest church to the dress shop and I wasn’t in the mood for a coffee. That said, the magnitude of the edifice wasn’t lost on me. I wondered around it toward the front door, overwhelmed by the sense that if God did come to earth, he was certain to fit in a building so big and wouldn’t feel out of place (Glory and all) in a place so adorned and revered.
Quietly and slowly I walked up the small steps, forgetting the feeling of difference that had earlier occupied me as I walked through the town center (I get these bouts of insecurity whenever I feel like a minority – which happens a lot especially in the countryside). God had to be here, and he would give me reprieve from the worries of un-approving parents and friends.
Four pews in I turned, any further and I’d be within speaking distance of the priest – not what I was here for. I sat facing the altar, which seemed almost a mile away, and focused in on the silence; hoping for that ‘still small voice’. After a few minutes within which I failed to concentrate, distracted by the whispers carried down the great hall, and the silent footsteps I could feel around me, my thoughts cleared. It was as though I had been running through thick forest and suddenly had come upon a treeless landscape, just green grass as far as the eye could see. In the bliss of the moment, a sentence emerged.
I asked for your hearts, but you built these stone altars for yourselves
Then… silence again. Then the whispers. Then the footprints. Then the priest turned and began to walk towards my pew. Stereotypically, I put my hood on: it was time to leave.
Almost two years later, I haven’t fully understood – and graple with – the significance and meaning of that sentence. As I left the church I felt fairly convinced that it was a clear message to rebuke the sentiment I had that God lived in buildings such as the one I had been in. It was an open rebuke and, excited as I was, I was equally disturbed. The contradiction being that I had to walk into the building to hear/ see/ sense/ think the words I believed were relevant.
The connotations carried in the ‘for yourselves’ made me feel as though I should never set foot in a cathedral again. It convinced me that – and this may be true – the place for a Christian isn’t inside the building but outside it. Continually being a part of the Church (collective of Christians) while living and serving within the community. The building was unnecessary as love dwelt and poured out of the heart. The buildings felt unnecessary, almost tower of Babel-ish; a distraction from the deeper sense of conviction and relationship that meeting with a dynamic, living, kinetic God would bring.
I asked for your hearts, but you built these stone altars for yourselves
For the good that that line of thought did me, I had missed one crucial lesson which I only began to gather this week.
Poetry 026: Fruit Picking
They were the hot summer days,
The ones we favored for picking.
She smiled whenever the idea came up,
It was possibly the only thing that I saw
Would light up her demeanor.
Excited she would dance, almost glide
Her way to the car and wait beside
The passenger door.
Her strides small and quick,
Making her hips swing and hair float.
She’d never gloat but it seemed
It was gentleness she gleaned from me
As I slowly, as was my pace,
Walked toward the door and
With a smile, opened it for her.
Those were the hot summer days
The ones we favored for picking.
Radio four would carry us there,
Away from the care of a crumbling exhaust
Or the sticky clutch.
She’d sat in silence as the seconds flew
Alongside the cascading landscape.
For she had said and knew,
That in those moments the roots
She dug and tended would –
After winter had come and gone
And spring had rained
and sun had shone – bear fruit.
She watched the world without a care
Staring through opposite windows.
Those were the hot summer days
The ones we favored for picking.
The warning light flashed and the gate
To the farm, a local favorite,
Slowly swung open as the heat
poured in through my window.
She fanned her face with paper,
One of the ‘just in case cards’
She usually stashed in her glove-box.
We exchanged smiles,
Her hand resting on my thigh
I quickly pulled my trouser legs
Down over my socks and steered.
The car – a present from her dad –
Obeyed.
Those were the hot summer days
The ones we favored for picking
Her hands, whose touch I often feel
Even her absence, softly caressed
The rose red cherries that hung
From the upper branches of the tree.
With her small feet pointed
She tiptoed and stole for me
The fruits she thought were sweet.
Her lips, watered with desire,
Wrapped around a raspberry
Soft pink blushes washing
Across her happy face as she ate
Free from, work and worry,
And almost free from me.
Those were the hot summer days
The ones we favored for picking
Her eyes spoke of days without end
Fires without ash
Or burning heat: just warmth.
Her smile spoke of receding pain,
Eroded by the warm soft rain
That fell upon our faces and hands
As we stood entwined: and sold.
Her heart, like mine, sang of hope;
Our hymn of a happiness bespoke,
Spread upon the grasses,
Glistening as the evening sun
Sat in and glowed.
I couldn’t have loved her more.
Those were the hot summer days
The ones we favored for picking.
© Denis Adide 2011
Faith 002: What if?
What is Faith if not the presence of doubt;
Hope without certainty,
and evidence without proof?
What if, though not in six days actual days,
the world was still created?
What if we really aren’t alone?
What if that feeling that pain is unnatural was right,
evil paid the price for the suffering it caused,
and things will definitely get better?
What if this is not all that there is;
that there was more to life than the search for money,
less to death than loss,
and we could actually live forever:
never saying goodbye?
IF YOU COULD ASK GOD 1 QUESTION, WHAT WOULD IT BE?
Stage 001: On the bridge!
ACT 1
Scene 1
ALFIERI:
What you have is an illusion, a whisper, nothing more. You’re clinging onto a dream old friend: Let it go.
EDDIE:
If a whisper, how loud: I hear nothing else, if a breath, how profound: I feel nothing else… You call it a dream but it haunts my waking steps. I can, but cannot and must; let it go
© Denis Adide 2011
ps: Might be worth having a look at Arthur Millers A View From The Bridge.
Poetry 004: Autumn
Autumn
His hands clung to his walking stick
As though to loosen his grip
Would loosen his fraying flesh’s
Clasp on life.
Wrung was his skin by the wind.
His clothes, more a burden than a help,
As sails swung from his trembling trunk.
Watching was his helpless wife
As with a yelp he gave up,
Was blown within a fingertip of the salvaging scaffold,
And tipping past the barriers fell
Into the ditch left by the tea-sipping road-workers.
Teary his spouse, wrestling her umbrella
Walked toward his grave.
Her hands too feeble to save.
In haste I came to stay the hearse
The bride to death, clung onto her purse.
Solemn I thrust my hand to the nabe
“Fuck off! … Fuck off you ape!” He said
© Denis Adide 2010
Color: The Falling Leaves
It had been a cold and windy day. I was on my way home from university. there was a gaping hole in the pavement bordered by the plastic barriers that the road-workers had left when they clocked out. I remember thinking, as I made my way past the hole, that with the wind as strong as it was blowing, it wouldn’t take much to blow someone into the whole. It was at this point that the idea for the poem crossed my mind.
The dominant thought while fleshing the concept of Autumn had to with the manner in which human tragedy is colorless: we, like the leaves, all lose color and fall. The hole provided the scene within which to show how futile as well as ignorant racism can be.
It's Complicated 