Poetry 024: Snowdon

Today the sun shines
And I can see the roof
Of our solitary mount.

I kiss its merry heights,
Pivots for our memories
And joints for our delights.

I see the snow that
Like fresh water-lilies
Speaks of our love

The hillside meadows
Peppered with sheep
Like spots of time,

And in a daydream,
leap from the cliffs
And soar.

For that brief moment,
Heaven bows,
And I am not alone

The wind whispers in
Scents fresh, almost old,
Never forgotten,

And the little droplets
Ferried by the breeze
Soft upon my naked skin

Feel like a touch
Faint and free, almost cold,
Not forgotten

It’s like your warmth floats
With me, over the downs
Toward the open sea

From whose horizon
The assailing clouds rise
Barring me from the sunset.

When for night again,
You away, and I –
To silence – return

From the invisible hills,
With curtains drawn to sleep,
Missing you.

© Denis Adide 2010

 

Poetry 003: The Proposal

The proposal

She took the rose I gave her, tied the stalk with a silk string
And hung it from her windowsill to dry;
Its petals still accented by the scent of early spring.
She smiled. “These flowers, my love, tell a lie,
For they do not have the life to which they cling,
Their crimson clothes for affection die.”
Slumped I stood, “What a reply!”,
And couldn’t tell her I’d bought the ring.

© Denis Adide 2010


Proposing

In my experience so far – which I don’t think differs from any – I have been victim to the strange way in which men and women, in speaking the same language, misunderstand each other. Thinking on this pointed me toward the fears that I had – and still do have – about openly expressing how I felt to a woman. How everything they did or said affected what I was about to say. The proposal is such a story, where love – and the celebration that it should carry – is lost in the vacuum of things either unsaid, or misunderstood. It is a solemn poem that like the hidden ring, speaks of concealed emotions and thoughts lost on the threshold of commitment because of fastly fading sentiments that are as dead as the flowers. Love, more immortal than the dying plants or the fears that hamper, is sorrowfully lost in the small moments. This poem is for all the men, who like me, never reached the height of romance in their proposals. It is a word to our respective women: our actions will never fully incapsulate our sentiments, bare with us.

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